Character, reform yourself!

On May 15, 2013, Bibliophile wrote, Now, how do you bring about the reformation of a character? Not necessarily from evil to good or vice versa, but one of my characters is very proud, and hates humans, (she’s a mermaid). Unfortunately she has GOT to fall for Prince Coram, or the story is worthless. In fact, the whole story rotates around the fact that she and he got engaged at a ball after her dad transforms her into a human for punishment… long story there. But anyway, in my first draft, she and he just click. All of her hate just melts away for no reason at all. And not because he’s particularly handsome or anything like that; it just fades inexplicably. The reason she hates the humans is that one of them killed her mother long ago on her 6th birthday. Also I am debating about whether or not she can speak on land, or have it so that she can speak, but no one understands her. (The curse of the illustrious Disney!!!!) But she will probably be able to talk, or communicate in writing.

Elisa contributed these thoughts: To reform a character, there has to be the seeds of what the character will be like after the reformation already there. One of my characters is a proud high-born lady, who is, in the beginning, a snob. She’s cold, and sometimes downright ruthless. But she is also lonely. She is afraid of having relationships because her family all died of plague when she was young, and she is afraid to get close to someone for fear of losing them. Her seeds of reformation are her love for children and her appreciation for beauty (she loves flowers) and her random acts of kindness. You see that she’s not really all that bad, just cautious and somewhat insecure. You need to sew the seeds for your character. Maybe make her like the different types of plants up on the earth. Or have her bond with an animal. This is generally a good way to help show a good side in a character. Though, it should probably be a land animal, seeing as she was once a sea creature. Or have her grudgingly help a little girl, and then get fond of her, which will slowly melt down her hatred of other humans as well. Then have something terrible happen to the little girl, (kidnapped, terrible illness?) and your Sea Maiden will have to rescue her. Maybe have her band up with several people, in the case of kidnapping, or, in the case of illness, maybe make the cure be something from the depths of the sea, where she is forbidden to go, but she loves the little girl so much that she will save her no matter what, so, she goes back. Maybe have the prince help her somehow. You have to build up her affection for him someway, so having them work together might be a good idea. Have her save his life maybe, or him save her. Or both.

The prince is Coram. Let’s call the mermaid Ondine, after the play Ondine by the French playwright Jean Giraudoux, which is a marvelous and tragic mermaid fairy tale. Do any of you know it? Giraudoux died before I was born, but his work was popular when I was a teenager. Wikipedia cites a marvelous quote from him: “Only the mediocre are always at their best.” I haven’t read the play in decades, but I just revisited it on Wikipedia, and it sounds appropriate for middle school readers and up. To be sure, show the plot summary to a parent or ask a librarian for an opinion. However, I suggest you read the actual play rather than the summary.

Onto Bibliophile’s question. Reformation is bigger than mere character growth or character change; reformation is fundamental. So my question is, Must Ondine reform? Can she fall for Prince Coram and go merrily on hating humanity?

As for falling for him, I’d suggest connecting him somehow with the sea or with the mer or just with water. Suppose, for example, Ondine, in rebellion against her fate, contrives at the ball to spill a pitcher of festive punch on him, and when she sees his face dripping wet, he becomes familiar in her eyes. His wet skin glistens; his eyelashes are especially compelling, and she stops regarding him as the despised other. Or, suppose he prepares for their meeting by becoming familiar with mer customs. He greets her in the mer way. He disarms her with his understanding. She’s halfway there – and then they go outside, where the fountains send sparkling spray into the moonlight.

But if you’re after real reformation, if Ondine’s hatred of people has been so longstanding that it’s become ingrained and she has to come to feel differently for the story to work, then more has to happen. There has to be a powerful reason and a decision, an act of will.

I hope there’s character change in all my books, but for true reformation, I identified six: Ella Enchanted, The Two Princesses of Bamarre, Fairest, Ever, The Fairy’s Mistake, and For Biddle’s Sake. In Ella Enchanted, Ella has struggled against her curse all her life. The reader endures with her as she makes attempt after attempt to break free. It’s only when she becomes a danger to Prince Char that she can summon up – with great difficulty – the will to disobey.

In Fairest, Aza’s suffering stems more from her own self-hatred than from the scorn of Ayorthaians. After instance upon instance of trouble for trying to change her appearance, by the end of the book she’s beginning to accept herself. She’s on her way to reformation, but it isn’t even complete by then.

One more example: In For Biddle’s Sake, which is completely lighthearted, the fairy Bombina’s favorite activity is turning people into toads. However, her heart is touched by the child Parsley, who only eats – you guessed it – parsley. The fairy adopts Parsley, and the girl disapproves of the fairy’s hobby and withholds her smile, which Bombina adores, unless Bombina gives it up. With great difficulty the fairy does, until she has a relapse, with disastrous consequences that teach Bombina her lesson forever. It’s my favorite of my Princess Tales.

In each of these cases, the reformation is hard won. It’s the focus of the book. For the reader to believe it, we need to devote a lot of pages to it. Change has to be preceded by suffering, and generally more than one instance of it. In For Biddle’s Sake, first Bombina is sent to jail by the fairy queen. When she comes out and adopts Parsley and then again turns somebody into a toad, she loses Parsley’s smile. Then, the final misery, she loses Parsley entirely, which does the trick.

The reformation is a decision that Ondine or your MC makes, which is quite different in most cases from falling in love. The word falling suggest that love comes from a loss of will (I don’t know if this is true in real life!). Reformation calls for an act of will or many acts, not so different from overcoming a bad habit, like not studying (or studying only one’s favorite subjects) or overeating or mercilessly teasing a brother or sister.

Surprise can be a factor leading to reformation. I think Elisa’s suggestions are along these lines. Ondine has long-held beliefs about the brutality of humans. On land she’ll see examples of kindness that will surprise her and may make a dent in her prejudice, but for reformation to be profound the change needs to be more than intellectual. Still, that can be a beginning. For example, she can start to believe that harboring hatred violates what she considers the best part of being mer.

Here are three prompts:

• Someone you know has a bad habit, the ones I suggested (not studying or overeating or merciless teasing) or some other. Fictionalize this real person and write a story in which he or she conquers the habit.

• Turn the bad habit into something bigger. Your earlier MC couldn’t stop smoking cigarettes, for example. Transform this into something else, like a deep-seated need to sleep on pillowcases made from butterfly wings, or pick your own. In my example, butterflies are being slaughtered in great numbers and may go extinct. Reform him for a happy ending or make him fail and create a tragedy.

• Take on your own version of our Ondine story, with or without a prince. With every fiber of her being she hates and loathes people. Her reaction to humans is similar to mine to cockroaches: Yuck! Ew! Get away from me! Die! Now bring her around to love and admiration.

Have fun, and save what you write!