{"id":79,"date":"2013-02-20T14:21:00","date_gmt":"2013-02-20T14:21:00","guid":{"rendered":"http:\/\/gailcarsonlevine.com\/blog\/2013\/02\/20\/building-on-legacy\/"},"modified":"2015-05-23T23:17:08","modified_gmt":"2015-05-23T23:17:08","slug":"building-on-legacy","status":"publish","type":"post","link":"https:\/\/gailcarsonlevine.com\/blog\/2013\/02\/20\/building-on-legacy\/","title":{"rendered":"Building on the legacy"},"content":{"rendered":"<p>\nOn November 4, 2012, Ellie Mayerhofer wrote on my website, <i>I was wondering if you had any advice for a story I&#8217;m writing. It&#8217;s a twist on Red Riding Hood, but I&#8217;m including at least two other fairy tales in it. I have read several versions of RRH, and seen a few too. I&#8217;m trying to write something completely original, but sometimes I feel like the story is too much like other versions of RRH. Is there any way I can be sure that it is completely original and not too much like other versions? It is based on the fairy tale, but I want it to be totally different than anything else I&#8217;ve read\/seen.&nbsp;<\/i><br \/>\n<i><br \/><\/i><br \/>\n<i>Also, with Red Riding Hood (I&#8217;ve named her Rosaly), I want her to be &#8216;fierce&#8217; (for lack of a better word-she&#8217;s a hunter in a really dangerous forest-the one with the wolf-to provide food, she helps defend herself and her Granny from attacks from the wolf {the wolf is NOT a werewolf}) but also funny, and when she decides she trusts someone she is really loyal and well, trusting of them. The only family she has left is her Granny, and she is strongly defensive of those she considers family\/friends. However, I am having trouble showing all sides of her (complex) personality. Any advice???<\/i><\/p>\n<p>Ellie had another question, too, which I\u2019ll get to next week.<\/p>\n<p>Several questions are rolled up in this one. First, originality, which I\u2019ve discussed before on the blog (check out the old posts by clicking on the label). I doubt that complete originality is possible, but if the impossible were achieved, I further doubt complete originality would be understood by readers. Writers and readers build on what went before. We take stories in and manufacture new stories based on our experience of the ones we know. The stories we read and hear are simple when we\u2019re very young children. Then as we mature, our idea of what\u2019s possible expands. Oh! we discover, a story can be this, too, and that, too. Each added complexity builds on what went before.<\/p>\n<p>Rather than complete originality, I\u2019m hoping in my writing to expand the range a little, so that someone else can build on what I&#8217;ve done. We writers stand on the shoulders of our predecessors, building acrobatic writing towers.<\/p>\n<p>In our search for the new, we want to avoid two pitfalls that are the reverse of originality. The first is infringing on someone\u2019s copyright, which can happen if our plot hews too close to someone else\u2019s or if our characters are too much like another writer\u2019s, or, of course, if we plagiarize &#8211; copy sentences and paragraphs verbatim without mentioning the source. I\u2019m not a copyright specialist, and copyright is complicated. My words above are vague: <i>too close<\/i> or <i>too much like<\/i>. How much is too much? How close is too close? The courts decide.<\/p>\n<p>For the poor writer, unless you\u2019re deliberately appropriating somebody else\u2019s work, you\u2019re probably fine. If you\u2019re making an effort to be as original as you can, I don\u2019t think you need to worry. But, for extra safety, when I\u2019m using a fairy tale, I avoid reading (or watching) contemporary versions because I don\u2019t want another writer\u2019s take sliding into my subconscious and exiting, unnoticed, through my fingertips.<\/p>\n<p>To be sure, confine your reading to fairy tale adaptations that are old. I\u2019d say (remember, I\u2019m not a copyright attorney) 110 years old and you\u2019re home free. I go to the Andrew Lang fairy tale collections which are for certain in the public domain. Public domain means that they\u2019re no longer copyright protected; they\u2019re out in the world, and anyone can use them.<\/p>\n<p>The second pitfall is being too predictable, cliched. The reader can tell what\u2019s going to happen next because she\u2019s read so many stories just like ours. Not that our new story violates anyone\u2019s copyright, just that events play out according to expectation. For example, if a hard-luck child falls in with a crotchety old codger, I\u2019d put good money down that the codger will turn out to have a heart of gold and that the two will save each other. If said codger dies at the end but the child has gained enough strength and wisdom from him to succeed in life, I win double.<\/p>\n<p>As we gain story experience we start to recognize these cliche patterns and we can avoid them, either by creating stories that don\u2019t follow the format or by going against expectation. If the codger turns out to be fundamentally horrible, the reader will be thrown off balance in a good way and our story will be energized. When, as readers, we feel that a story is original, I think it\u2019s usually because we\u2019re surprised. The story elements are there but they\u2019re combined in fresh ways.<\/p>\n<p>My favorite strategy for avoiding a cliched plot is to list possibilities for what can come next in my story, and I don\u2019t settle for my first idea. Generally I write several ideas and then get stuck. I stare out my window and rush back to my desk when a couple more arrive. I write them down and get stuck again. Repeat process. Usually one of the latecomers will work in my story and surprise my readers.<\/p>\n<p>Characters can be key to creating that sense of originality. In the RRH tale, an interesting Rosaly will help, but so will a grandmother who goes against type. In versions I know (including my own), authors have had a field day with the wolf, whose character is central to the tale. And in a novel, naturally, there will be others who can amaze the reader.<\/p>\n<p>When we think about our characters &#8211; maybe we fill out a character questionnaire like the one I provide in <i>Writing Magic<\/i> &#8211; we may come up with a list of traits, which don\u2019t become real until we\u2019re writing the story and putting our character into situations. What we have from Ellie for Rosaly are these characteristics: fierce, funny, loyal, and trusting of the people who are close to her. So when we start writing we want to put her into situations that will reveal her this way.<\/p>\n<p>For example, she\u2019s out hunting, hiding on the edge of a meadow. The wind is right for her, and an unsuspecting buck starts grazing. She has a clear shot. As she nocks her arrow, she says under her breath, \u201cSuch a beautiful creature. Too bad taxidermy hasn\u2019t been invented yet.\u201d And she lets fly. We\u2019ve now met her unsentimental sense of humor (and mine). If the animal she\u2019s shooting happens to be a tiger rather than a deer and the same things happen (except for the grazing), we\u2019ve also encountered her fierceness. She isn\u2019t rattled in the face of a tiger, and she can even get off a joke.<\/p>\n<p>Of course, the incidents that reveal Rosaly\u2019s character also need to move the story forward. Maybe we see her courage and her humor as she saves her grandmother from both a snake and a nosy neighbor. And so forth. We look for situations that will bring her qualities to the fore. Coincidentally, they should also demonstrate the grandmother\u2019s character. Is she burying her head under the pillow in an ineffective attempt to escape the snake, or chattering all unaware of it, or reaching for her rifle, but Rosaly gets there first?<\/p>\n<p>Here are three prompts:<\/p>\n<p>\u2022 I\u2019ve laid out the cliche of the grumpy old man and the homeless child and suggested one way to write against it. Think of three more ways. Pick one and write the story.<\/p>\n<p>\u2022 This is the opposite of the advice I gave above, to stay away from contemporary fairy tale adaptations when you\u2019re thinking of doing one of your own. I hope you\u2019ll try this anyway, just this once. The Andrew Lang books are available for free online. Here\u2019s a link to <i>The Blue Fairy Book<\/i>, which I think has the best known tales: <a href=\"http:\/\/etext.lib.virginia.edu\/toc\/modeng\/public\/LanBlue.html\">http:\/\/etext.lib.virginia.edu\/toc\/modeng\/public\/LanBlue.html<\/a>. Read a fairy tale that you know in more than one version. List the major plot developments and characters for the Lang version. Then make the same list for at least one contemporary adaptation. Feel free to use \u201cCinderella\u201d and <i>Ella Enchanted<\/i> if you like. Now think of a third way to go, your own take on events. List the characters and plot points. Next, naturally, write the story.<\/p>\n<p>\u2022 These traits are ingrained in our MC: brainy, argumentative, kind, and impulsive. Make her the heroine of \u201cBeauty and the Beast\u201d or another fairy tale of your choosing and develop incidents that reveal these characteristics while also moving the story along.<\/p>\n<p>Have fun, and save what you write!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On November 4, 2012, Ellie Mayerhofer wrote on my website, I was wondering if you had any advice for a story I&#8217;m writing. It&#8217;s a twist on Red Riding Hood, but I&#8217;m including at least two other fairy tales in it. I have read several versions of RRH, and seen a few too. I&#8217;m trying [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[62],"tags":[],"_links":{"self":[{"href":"https:\/\/gailcarsonlevine.com\/blog\/wp-json\/wp\/v2\/posts\/79"}],"collection":[{"href":"https:\/\/gailcarsonlevine.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gailcarsonlevine.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gailcarsonlevine.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gailcarsonlevine.com\/blog\/wp-json\/wp\/v2\/comments?post=79"}],"version-history":[{"count":1,"href":"https:\/\/gailcarsonlevine.com\/blog\/wp-json\/wp\/v2\/posts\/79\/revisions"}],"predecessor-version":[{"id":357,"href":"https:\/\/gailcarsonlevine.com\/blog\/wp-json\/wp\/v2\/posts\/79\/revisions\/357"}],"wp:attachment":[{"href":"https:\/\/gailcarsonlevine.com\/blog\/wp-json\/wp\/v2\/media?parent=79"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gailcarsonlevine.com\/blog\/wp-json\/wp\/v2\/categories?post=79"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gailcarsonlevine.com\/blog\/wp-json\/wp\/v2\/tags?post=79"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}