{"id":241,"date":"2010-02-03T21:38:00","date_gmt":"2010-02-03T21:38:00","guid":{"rendered":"http:\/\/gailcarsonlevine.com\/blog\/2010\/02\/03\/both-feet-in-story-door\/"},"modified":"2015-05-23T23:17:16","modified_gmt":"2015-05-23T23:17:16","slug":"both-feet-in-story-door","status":"publish","type":"post","link":"https:\/\/gailcarsonlevine.com\/blog\/2010\/02\/03\/both-feet-in-story-door\/","title":{"rendered":"Both Feet in the Story Door"},"content":{"rendered":"<p>On January 13, 2010 Maybe a Writer definitely wrote, <i>What I can&#8217;t seem to get, is what happens right after my beginning.&nbsp; I sometimes don&#8217;t even know where I&#8217;m taking the story, but I have a tiny idea for a plot. The story I&#8217;m working on is the most well-planed out I have, but I&#8217;m still on page three. Any ideas?<\/i><\/p>\n<p>Alas, I\u2019m having the same problem right now, and this will be my twenty-first book, counting just the published ones!&nbsp; I\u2019m on page thirty-one, not three, but I haven\u2019t figured out how to move further into my story.&nbsp; What I think I\u2019m working on is a fantasy mystery sequel to an old Gothic story that involves embodiments of the south wind and the king of a river.&nbsp; The issue may be that I haven\u2019t made either of them real in my mind yet, so they\u2019re not working as characters.&nbsp; So far I haven\u2019t even introduced them into the story.<\/p>\n<p>I haven\u2019t run into this particular problem before, although I\u2019ve written about all sorts of creatures.&nbsp; I don\u2019t believe in fairies, but I\u2019ve had no trouble making them come alive on the page.&nbsp; I\u2019m writing notes to figure out how I\u2019m stuck and where I can go next.<\/p>\n<p>For you, Maybe a Writer and anyone else who shares our predicament, there may be something inside your story that\u2019s stopping you.&nbsp; In 1993 I wanted to write a novel based on Cinderella, but the fairytale itself got in my way.&nbsp; Cinderella is so disgustingly good and so incomprehensibly obedient that I didn\u2019t know what to make of her, and I didn\u2019t like her.&nbsp; I couldn\u2019t get started until I thought of the curse of obedience.&nbsp; When I had that, I understood her and I was able to write about her.<\/p>\n<p>If your trouble is inside your story, try my method and write notes about it.&nbsp; But notes don\u2019t work for everybody, and they don\u2019t always work for anyone.&nbsp; You can talk to a friend or relative about the way your story might go.&nbsp; You can even talk out loud to yourself about it.&nbsp; It may also help to look at my post of October 28, 2009 about writer\u2019s block.<\/p>\n<p>This prompt comes from a writing book called <i>What If?<\/i>, which is full of terrific prompts.&nbsp; (Kid alert:&nbsp; Most of this book is fine for writers and readers of any age, but some chapters are for high school and above.&nbsp; Check with a parent or a librarian.)&nbsp; The prompt comes from the book\u2019s title.&nbsp; Take whatever you\u2019ve got as a beginning and ask yourself \u201cWhat if?\u201d about what might happen next.&nbsp; Ask this repeatedly and write down the possibilities, whatever ideas come to you no matter how crazy they are.&nbsp; As in, What if the girl in the green dress who is all alone at a party sees a framed photo on the mantelpiece and recognizes one of the people in it as her sister.&nbsp; Or what if she starts writing on a wall of the living room where the party is happening.&nbsp; Or what if she interrupts two dancers and starts dancing with them.&nbsp; And so on.<\/p>\n<p>Write ten what-ifs before looking them over.&nbsp; Try the one that appeals to you the most and see where it takes you. <\/p>\n<p>This is a variant on another prompt in <i>What If?<\/i>:&nbsp; Write ten beginning scenes without thinking about what might come next, and make the scenes at least three pages long.&nbsp; The purpose is to get away from anxiety and think only about what will grab a reader.&nbsp; <\/p>\n<p>When you\u2019re finished, pick five and write another scene for each.&nbsp; Next, pick three out of the five and write another scene for each of them.&nbsp; Then see if you want to continue with any one of them.<\/p>\n<p>I generally write in order, but you don\u2019t have to.&nbsp; You might try taking the characters from your first scene, those three pages, and write another scene for them, out of sequence.&nbsp; If there are no characters yet, this is a good time to invent some and take the pressure off plot.&nbsp; The new scene could be something you have in mind to happen later in the story, or it could be something that went before.&nbsp; Or it could simply be an exploration of the characters\u2019 relationships with one another.&nbsp; Write the scene in the world of the story.&nbsp; If the story takes place in the kingdom of Wohadfub, keep it there.&nbsp; If the story is set in your home town, keep it there, too.<\/p>\n<p>If you\u2019re a kid, under twenty-one, say, I don\u2019t think you need to worry about finishing stories.&nbsp; The problem will take care of itself if you keep writing.&nbsp; You will eventually start a story that you can finish.<\/p>\n<p>If you\u2019re over twenty-one, you probably shouldn\u2019t worry either, because worrying does no good.&nbsp; But for me there is always some gritting of teeth to get myself to the end of a book.&nbsp; And stubbornness.&nbsp; I\u2019m utterly unwilling for a book to get the better of me.<\/p>\n<p>I\u2019ve mentioned that I\u2019m writing poetry for adults, and I\u2019m unpublished as a poet.&nbsp; While I would very very, as many verys as can be, like to be published, there is freedom in not being.&nbsp; Nobody cares what my poems are like, because nobody (except a few other aspiring poets) is reading them.&nbsp; Little is at stake.&nbsp; I can take chances and be outrageous.&nbsp; If you aren\u2019t published, I hope you will use your freedom.&nbsp; And I hope you\u2019ll have publishing success too.&nbsp; But for now, experiment!&nbsp; Have fun! And save whatever you come up with!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On January 13, 2010 Maybe a Writer definitely wrote, What I can&#8217;t seem to get, is what happens right after my beginning.&nbsp; I sometimes don&#8217;t even know where I&#8217;m taking the story, but I have a tiny idea for a plot. The story I&#8217;m working on is the most well-planed out I have, but I&#8217;m [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[8],"tags":[],"_links":{"self":[{"href":"https:\/\/gailcarsonlevine.com\/blog\/wp-json\/wp\/v2\/posts\/241"}],"collection":[{"href":"https:\/\/gailcarsonlevine.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gailcarsonlevine.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gailcarsonlevine.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gailcarsonlevine.com\/blog\/wp-json\/wp\/v2\/comments?post=241"}],"version-history":[{"count":1,"href":"https:\/\/gailcarsonlevine.com\/blog\/wp-json\/wp\/v2\/posts\/241\/revisions"}],"predecessor-version":[{"id":519,"href":"https:\/\/gailcarsonlevine.com\/blog\/wp-json\/wp\/v2\/posts\/241\/revisions\/519"}],"wp:attachment":[{"href":"https:\/\/gailcarsonlevine.com\/blog\/wp-json\/wp\/v2\/media?parent=241"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gailcarsonlevine.com\/blog\/wp-json\/wp\/v2\/categories?post=241"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gailcarsonlevine.com\/blog\/wp-json\/wp\/v2\/tags?post=241"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}