{"id":221,"date":"2010-06-16T21:38:00","date_gmt":"2010-06-16T21:38:00","guid":{"rendered":"http:\/\/gailcarsonlevine.com\/blog\/2010\/06\/16\/taboo\/"},"modified":"2015-05-23T23:17:15","modified_gmt":"2015-05-23T23:17:15","slug":"taboo","status":"publish","type":"post","link":"https:\/\/gailcarsonlevine.com\/blog\/2010\/06\/16\/taboo\/","title":{"rendered":"Taboo?"},"content":{"rendered":"<p>Preamble:&nbsp; Starting next Tuesday, I\u2019M ON TOUR!!!&nbsp; And I may be coming to a bookstore or library near you.&nbsp; Here\u2019s what\u2019s happening\u2013<\/p>\n<p>Tuesday, June 22nd at 6:00 pm:&nbsp; Kepler\u2019s Books, Menlo Park, California.<\/p>\n<p>Thursday, June 24th at 7:00 pm:&nbsp; Mission Viejo Library, Mission Viejo, California.<\/p>\n<p>Friday, June 25th at 3:00 pm:&nbsp; La Jolla\/Riford Library, La Jolla, California.<\/p>\n<p>Saturday, June 26th at 1:00:&nbsp; signing in Disney Gallery, Disneyland.<\/p>\n<p>Sunday, June 27th at 2:00 pm:&nbsp; signing in Brisa Courtyard, Disneyland.<\/p>\n<p>Monday, June 28th at 7:00 pm:&nbsp; Changing Hands Bookstore, Tempe, Arizona.<\/p>\n<p>Tuesday, June 29th at 7:00 pm:&nbsp; The King\u2019s English Bookstore, Salt Lake City, Utah.<\/p>\n<p>If I\u2019m not coming to your neighborhood, sorry!&nbsp; I have little control over tour destinations, except I did suggest Salt Lake City because I\u2019d never been there before on tour.<\/p>\n<p>I\u2019m going to try to post to the blog from the road, but it is conceivable that I\u2019ll skip the next two weeks.&nbsp; Now for the regular post:<\/p>\n<p>On March 25th Loretta asked how much detail and gore to include in a fight scene.&nbsp; She feared that parents wouldn\u2019t want their children reading about graphic violence.<\/p>\n<p>Along similar lines, on June 14th F wrote, <i>What I mean to say is, say, do you think that it would be appropriate for the characters to curse in a given situation &#8211; I mean, this and that has just happened to them! But, the readers&#8230;they may dislike seeing the words actually in print. One can easily substitute writing the words with a &#8216;He let out a stream of carefully chosen curses&#8217; or some such. We get to know the character\u2019s angry. We don&#8217;t have to see the words.<\/p>\n<p>But to satisfy \u201cyour internal reader,\u201d the author chose to print the words, rather than allude to them, choosing to ignore the fact that it might be inappropriate for a few readers. :\/<\/i><\/p>\n<p>In other comments on my post about writing romance a few people thanked me for not including sex beyond kissing in my books.&nbsp; And both F and Erin Edwards included links to several authors&#8217; blog postings concerning the treatment of morality in their books.&nbsp; I suggest you check them out.<\/p>\n<p>Wow!&nbsp; This is a complicated topic!&nbsp; And no easy answers.<\/p>\n<p>Taking gore first, since that was the earlier question, I don\u2019t in general enjoy violent books or movies, but there\u2019s violence in two of my books, <i>Dave at Night<\/i> and <i>The Two Princesses of Bamarre<\/i>.&nbsp; In the latter, I\u2019m explicit about killing monsters.&nbsp; A few people die at the hands of the monsters, but I don\u2019t go into their deaths in detail.&nbsp; I\u2019d guess readers rejoice when a monster bites the dust, except for the dragon Vollys, who\u2019s sympathetic although evil.&nbsp; In <i>Dave at Night<\/i>, the violence comes from a brutal orphanage superintendent.&nbsp; No one dies, but Dave is beaten and another boy\u2019s arm is broken.&nbsp; I report the beating in detail.<\/p>\n<p>The dead monsters in <i>Two Princesses<\/i> aren\u2019t much mourned by the human characters, so their suffering isn\u2019t much felt by readers, which is what I wanted.&nbsp; The emotion in <i>Two Princesses<\/i> revolves around Meryl\u2019s illness and her sister Addie\u2019s quest to find a cure.&nbsp; But in <i>Dave at Night<\/i> the other boys are upset and angry over the superintendent\u2019s cruelty, and the reader shares their distress.&nbsp; Both books are read by kids aged eight and up.&nbsp; I think both are appropriate for the age group, although there are children, some older than eight, who are sensitive and whose parents would do well to keep the books from them, or who might put the books aside themselves when they see what\u2019s up.<\/p>\n<p>Glossing over detail that\u2019s important to plot or characterization or mood, important to the world of the book, is flawed writing.&nbsp; We want the reader to be affected by what we write, and detail engages him.&nbsp; If someone the reader loves is hurt, the reader will care, but only if the reader experiences through detail the extent of the hurt.&nbsp; Airbrushing it will only leave the reader confused.<\/p>\n<p>Having said that, it\u2019s always possible to overwrite, to pile up bleeding wounds and oozing organs until everything blends together and the reader stops caring &#8211; or starts laughing.&nbsp; We need to cultivate judgment, which comes with practice and helpful criticism.<\/p>\n<p>It\u2019s funny.&nbsp; I can write scenes that I would have trouble reading.&nbsp; This is because I\u2019m in control when I write.&nbsp; It\u2019s the difference between being the driver of a car and the passenger.&nbsp; When I go through a yellow light, not that I ever do, it\u2019s okay.&nbsp; My reflexes are fast; I\u2019ve looked around.&nbsp; But when someone else is driving, boy, I wish he\u2019d stopped.&nbsp; I\u2019m not making a point here, just remarking on the wonderful weirdness of writing.<\/p>\n<p>As for offending readers or their parents, we are likely to offend someone no matter how cautious we may try to be.&nbsp; Most recently I learned that someone was offended by the trial scene in <i>Fairest<\/i>.&nbsp; And <i>Writing Magic<\/i> was banned from a school district in Illinois because I advised writers to make their characters suffer!&nbsp; Can you imagine?<\/p>\n<p>This is my segue into language and sex.&nbsp; And here my approach is more nuanced.&nbsp; I used the \u201cN\u201d word twice in the manuscript for <i>Dave at Night<\/i>.&nbsp; The uses were natural for the situation.&nbsp; My editor had no problem, and neither did an African-American friend.&nbsp; But the head of library and school promotion at HarperCollins at the time pulled me back from the brink.&nbsp; He said that I would set off a firestorm, and that I was using a hurtful word.&nbsp; I took it out.&nbsp; The word wasn\u2019t essential to anything, and the book was just as good without it.&nbsp; If it had been central, I don\u2019t know what I would have done.<\/p>\n<p>I\u2019m a Jew, and the bad word for Jew is <i>kike<\/i>.&nbsp; I\u2019ve experienced anti-Semitism a few times, but that bad word was never spoken or suggested.&nbsp; Racism and anti-Semitism don\u2019t need a particular word to express themselves.<\/p>\n<p>I adore language.&nbsp; Every word has a place in my heart.&nbsp; When we make a word or a phrase bad we ghettoize it and give it too much power.&nbsp; I would like to live in a world in which all words are equal, where <i>kike<\/i> can\u2019t hurt because we\u2019re desensitized.&nbsp; In that world <i>kike<\/i> would mean <i>Jew<\/i> and not filthy Jew.&nbsp; The sex words that seem dirty would just be synonyms for the more scientific and acceptable terms.<\/p>\n<p>As for actual swearing in dialogue versus having the narrator say that a character shouted a string of \u201ccarefully chosen curse words,\u201d that depends on the kind of story you\u2019re writing, the voice you\u2019re telling it in, and the age of the audience.&nbsp; But you don\u2019t have to choose.&nbsp; You can make the character scream.&nbsp; If the character is tough and gritty, she can threaten someone.<\/p>\n<p>Having said all this, I don\u2019t think I\u2019ve put profanity in any of my books.&nbsp; My strongest influences when I write are the books I loved as a child.&nbsp; There was no swearing in <i>Heidi<\/i>, and in Louisa May Alcott\u2019s books, if I remember correctly, even an expression like <i>fiddlesticks<\/i> was beyond the pale.&nbsp; I write back to those books.<\/p>\n<p>Same goes for sexual exploration in books.&nbsp; I am sure there are many young people &#8211; I was one &#8211; who are confused by the feelings their bodies are creating in them, who don\u2019t know how to handle their early romantic attachments, and who are unable, for a hundred possible reasons, to talk frankly with the adults in their lives and even with their friends.&nbsp; Many of these kids go to novels to see how situations play out, how believable characters play them out.<\/p>\n<p>Moralizing books are likely to be transparent to readers and not carry much weight.&nbsp; Rather than moralizing, I want books to be good, well-written, with complicated characters finding their way and making mistakes in complicated situations.&nbsp; Let the reader observe these characters and ruminate on their decisions and the consequences that follow.&nbsp; Let the reader find herself in the books and consider what choices she would make.<\/p>\n<p>There is one other consideration, which wasn\u2019t mentioned in any of the posts I read.&nbsp; And that\u2019s the market.&nbsp; I want my books to be read, and I want to continue to earn my living as a writer.&nbsp; My readers expect a certain kind of book from me.&nbsp; If I change radically I\u2019ll lose many of them.&nbsp; I may pick up other readers along the line, but maybe not.&nbsp; Of course, this cuts two ways.&nbsp; The authors of more explicit books have also developed an audience, and that is a consideration for them too.&nbsp; There\u2019s nothing wrong with this.&nbsp; You and I &#8211; all writers &#8211; are entitled to think of our livelihoods.<\/p>\n<p>I\u2019m done.&nbsp; A long post on a difficult subject.&nbsp; No prompt today.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Preamble:&nbsp; Starting next Tuesday, I\u2019M ON TOUR!!!&nbsp; And I may be coming to a bookstore or library near you.&nbsp; Here\u2019s what\u2019s happening\u2013 Tuesday, June 22nd at 6:00 pm:&nbsp; Kepler\u2019s Books, Menlo Park, California. Thursday, June 24th at 7:00 pm:&nbsp; Mission Viejo Library, Mission Viejo, California. Friday, June 25th at 3:00 pm:&nbsp; La Jolla\/Riford Library, La [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[254,255,256,257,258],"tags":[],"_links":{"self":[{"href":"https:\/\/gailcarsonlevine.com\/blog\/wp-json\/wp\/v2\/posts\/221"}],"collection":[{"href":"https:\/\/gailcarsonlevine.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gailcarsonlevine.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gailcarsonlevine.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gailcarsonlevine.com\/blog\/wp-json\/wp\/v2\/comments?post=221"}],"version-history":[{"count":1,"href":"https:\/\/gailcarsonlevine.com\/blog\/wp-json\/wp\/v2\/posts\/221\/revisions"}],"predecessor-version":[{"id":499,"href":"https:\/\/gailcarsonlevine.com\/blog\/wp-json\/wp\/v2\/posts\/221\/revisions\/499"}],"wp:attachment":[{"href":"https:\/\/gailcarsonlevine.com\/blog\/wp-json\/wp\/v2\/media?parent=221"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gailcarsonlevine.com\/blog\/wp-json\/wp\/v2\/categories?post=221"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gailcarsonlevine.com\/blog\/wp-json\/wp\/v2\/tags?post=221"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}