To start, I’ll be speaking and signing books in Rhode Island on Saturday, October 15th, along with a bunch of other terrific kids’ book writers. You can find out where and when on my website. Hope to see some of you!

And, a few questions have come in about my Disney Fairies books and about Writing Magic and others. If you want to ask me about any of my books, please let me know and I’ll answer in a post – if I can. Sometimes I forget what I had in mind when I was writing and sometimes ideas pop out of nowhere and I can’t explain them.

And, puppy Reggie is almost nine months old and got his first haircut. My husband has posted new photos on the News page of my website. My fave is the one with his best friend, Sage, in which Reggie is revealed as a supremely happy maniac.
                       
Now for this week’s post topic. On June 25th, 2011, Maddie wrote, ….I keep on getting very vivid “glimpses” of stories, but I don’t know anything about the characters or plot besides what is in the “glimpses.” Can you help me with this? I think that I can probably start working on a story if I can get past this.
    Also, I had a dream a few months ago, and since I wrote it down, I’m thinking about basing a story off it. Do you have any suggestions?

And on July 2nd, 2011, Josiphine asked a related question: ….I’m an aspiring writer and have completed several books. But my problem is making my books book-length. Most people I know say that each time they do a rewrite they cut back so their novel isn’t as long. I’m in the opposite predicament. My books are never long enough, a short story, or a novella at a stretch.
    Do you have any suggestions about making my books the right length? I know that my plots have enough meat to last…I just can’t make them do so.

Some fairytales remind me of dreams. Putting a pea under twenty mattresses to test potential princess is dreamlike in its lack of logic. I love to work with these kinds of fairytales. The ones that make complete sense, like (in my opinion) “Ali Baba and the Forty Thieves,” offer less fodder for fooling around. So I say, Maddie, go with your dream.

You can begin with the events that lead up to the dream. These are some questions you might ask yourself:

∙    Who is the main character in the dream? Is it you? Or someone else?

∙    Who are the other characters? Describe them.

∙    What is the world of the dream?

∙    What happens after the dream ends?

∙    What is the conflict?

∙    What scenes can you write to dramatize the conflict, extend it, deepen it?

∙    What concrete, specific details can you include in your scenes to make the dreamscape real?

If you make your reader aware that the story is a dream, he may not get emotionally involved, so I would avoid this. Likewise, I suggest you not end your story by having the main character wake up, which usually results in a reader feeling cheated. In other words, the dream should be the story’s reality.

Same approach for your glimpses. Ask yourself questions to flesh out what you have. What went before the glimpse? What can come next? What’s the conflict? Write the answers in notes. Try writing the glimpse, fragmentary though it is, not in notes but in story form. Just the writing may elicit more.

As I suggested in an earlier post, think about your other glimpses. Can you string them together to make a fuller story? Is there anything else you can bring in? A memory? A myth? A news item?

Suppose you try, and you write part of a story then can’t go any further. I say, count this as a victory. Save your pages, of course. Maybe the fragment needs something for completion that you can’t get to yet, something you’re going to write next month or even three years from now. Or maybe this bit will seed a seven-book series. Or you’ll cannibalize it in five other stories – or for the rest of your life.

Josiphine, my most helpful writing teacher used to say there was no right length for a story, which needs to be as long as it needs to be. I’d add that padding isn’t the right technique for achieving length.

Having said that, my suggestions for Maddie may work for you, too,. Look at your conflict. Have you come up with a variety of ways to reveal and intensify it? In Ella Enchanted, for instance, I kept devising ways to have obedience make Ella suffer. She loses a friend because of it early in the book and then, when she’s older, is forced to give up Areida. The ogres show the physical side of the obedience curse, the parrot Chock the humorous aspect, and so on. If your reader cares, she won’t tire of new ways for your main character to struggle.

Are you including your main character’s thoughts and feelings? Leaving these out will speed up your scenes, but in a bad way, because the action is likely to fall flat. Adding them will probably engage the reader more deeply and may involve you more, too. You’ll know your main better, and that inner understanding may suggest follow-up scenes that you hadn’t thought of before.

Consider your setting, too. Our goal is to start a movie in the reader’s mind. Have you put in enough detail to get the movie going?

Look at your transitions. Have you filled in the movement from one scene to the next? Are there any leaps of logic that leave the reader flummoxed? Are you jumping from plot point to plot point?

Last, you may get the best help from a reader. Ask a fellow writer (the best choice, if possible), a friend, a teacher, a librarian, a relative to read one of your stories. Then ask this person if anything seems to be missing, if your tale seems truncated. Ask her to be as specific as she can be. Then, if you want a second opinion, ask someone else as well.

Here are three dream prompts. First, I offer two of my dreams to turn into stories if you can. For these prompts you’ll need to do a lot of expanding.

∙    This is a recurring nightmare. I’m climbing the subway stairs in New York City and my legs become very heavy. I can’t drag them up. The people behind me are angry and I’m terrified because I don’t know what’s happened to me. That’s it. It hasn’t visited me lately, maybe because I turned it into a pantoum (a poem form), which appeared in a book of short horror fiction for kids called Half-Minute Horrors (because each one can be read in thirty seconds).

∙    I’m at a dinner, a wedding or some other celebratory event. I know that if I eat the shrimp I’ll turn transparent. I don’t serve myself any, but they appear on my plate anyway. Use this any way you like.

∙    Write down your own dreams for a week. Keep a pad next to your bed. Use one or all of your dreams in a story.

Have fun, and save what you write!