On March 9, 2018, Writeforfun wrote, A few years ago, by the time I was into my second book, I got to the point where I was writing at least three hours, every single day (which seems like a LOT to me!). I look back and don’t know how I was doing it! Nowadays I just don’t feel nearly as inspired or motivated. Lately I’ve been writing a few words every couple weeks, if not months. It’s sad, I enjoyed it when I was writing more, but the inspiration just isn’t coming like that any more.
I noted that this wasn’t a question, but I added it to my list anyway, because I think getting down to writing is something lots of us struggle with.
Three hours does seem like a lot to me. Great while it lasted. And maybe it’s returned by now.
Let me start with my most pessimistic response and move upward. Kids who love to write don’t always continue to write stories. Many young people who love to write are artistic overall and wind up swearing their allegiance to another art form, like painting or playing the flute. The writing fades, often painlessly. Some adults and other young people who love to write may become discouraged by rejection or criticism, and their enthusiasm wanes. This probably isn’t painless.
On a subconscious level, I think, some bump up against how fiendishly hard writing is and don’t find it in themselves to keep going. They allow themselves to be distracted by other tasks that seem more pressing. The budding story is visited less and less often.
A friend once pointed something out to me that I’d never considered: There are two kinds of art. One is interpretive, like playing the piano from sheet music, and the other is originating, like writing a story or composing music. When we write a story, we do have tools: our training, experience, every book we’ve ever read. But the page is blank and we have to make it all up. In my opinion, that’s much harder–not that interpretation is easy!
I don’t mean that leaving writing means we won’t ever come back. Life may teach us to cope with criticism and rejection. Or we may reread an old story fragment, love it as we couldn’t when it was newly minted, and be filled with fresh ideas. The capricious muse may pay us a visit and decide to stay.
And, usually, people who stop writing fiction are still skilled writers. They can draft an academic paper, an email, even a text message with more ease and flair than the average person. This stands them in good stead forever.
Some writers write only when they feel inspired. Some of them have careers as writers. Many of them, when inspiration comes, dive in and don’t surface until the magic is spent, often when a work is complete. Eating and sleeping have to wait. If you and Writeforfun fall into this category, I wouldn’t worry about a drought. The rain will come.
I don’t fall into the inspirational group, so I have to work at making myself write. I use several strategies that you on the blog can adapt, if you don’t use them already.
∙ Some writers have a daily page goal, which may work for you. The goal can be one paragraph or one page or five pages, whatever you decide. I don’t do it that way, or I’d face a lot of twenty-four hour stretches at my laptop and still fail. Instead, I have a time goal: two-and-a-quarter hours or more per writing day. (Some days I’m doing other things, like visiting friends.) I keep track of my times, starting at the beginning of the day. Whenever I stop, like to put dishes in the dishwasher or read an irresistible email, I write down the stop time and the restart time. If I reach my goal and the day isn’t over, I keep writing. As I go, I keep a running tally of the total.
∙ On days when, for no good reason, I don’t meet my goal, usually because I allowed myself to be distracted, I forgive myself. Always. Forgiveness guaranteed. Because if I don’t, it’s much harder to start the next day. This is a super important part of the process that keeps me writing–forgiveness. I urge you to adopt it, too.
∙ I ignore my brain when it tells me that what I’m writing stinks. This is also super important. Nothing can paralyze my fingers as effectively as a negative voice in my mind. I have to brush the voice aside or I can’t go on. But I encourage myself to be aware of specific problems in my story. Right now, in my WIP about the expulsion of the Jews from Spain, I sometimes get so caught up in events that I forget their impact on my MC, the person my readers will care about. As a result, the tension suffers. At the top of my manuscript, I note this as something to think about in revision and keep going. I keep reminding myself that what I have so far is only the first draft and that I love to revise.
∙ I imagine an approving reader. If this story is something I think my editor will really go for, it’s her. At other times it may be the writers in my poetry critique group, who are young enough to have grown up on my fiction. Sometimes it’s the child reader I used to be. Anyone or anything–a teddy bear–will do. The approving reader stokes my enthusiasm and generates new ideas to please her.
∙ By now I can comfort myself with the knowledge that I will finish my story, unless some real-life disaster strikes. I’ve made my way through the toughest of books (Stolen Magic) and gotten to The End. If you don’t have a lot of experience, remember that experience is what you’re building. Every story is evidence that you can hang in there. And every story that you don’t finish is just a stop on the way toward finishing.
∙ And there are Notes and Lists, which I’ve talked about in many posts to help me get to the end. Both are where I work out the knots in my story. In Notes and Lists, the stakes are low, really nothing. No one will see them. I can write anything! I can shake out my brain and see what emerges.
Just saying, the stakes are truly low in writing in general. If, for once, I fail to finish a story, no one will die. I can start another. I can congratulate myself on not putting more time into a project that just won’t work.
These are the strategies that keep me writing. And here are three prompts:
∙ Your MC is called a Creator. She makes wire figures, touches them with her left pinky, and they become anatomically correct foot-tall people. She types out three qualities that each of her creations will have and places the paper with the qualities on their tongue. As soon as they close their mouths, the paper dissolves and they come to life, incorporating the qualities. Have your MC create three such characters. Put them in a story along with their Creator, who meddles, just as we meddle in the lives of our characters.
∙ For possibly a dark story, imagine that the evil queen in “Snow White” has a child of her own–son or daughter, you decide–put the two in a story with or without Snow White. What kind of parent will she be? What will happen?
∙ “Pinocchio” is about creator, creation, and lying, which is what writers do. Imagine that Pinocchio wants desperately to be a real boy and he realizes that real boyness means having the power to lie. He won’t be real unless he can lie. Retell the story with that element.
Have fun, and save what you write!